Jean Paul Gaultier 2012 Spring Collection channeled the late Amy Winehouse
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| Brow bones were highlighted and softly dusted as to not take away from the cold cat liner |
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| Adding the beauty mark |
Showing posts with label Spring 2012 beauty. Show all posts
Showing posts with label Spring 2012 beauty. Show all posts
The Look Backstage: Jean Paul Gaultier 2012 Spring Couture Collection
The Look Backstage: Armani Prive 2012 Spring Couture Collection
Pale shadow from brow to lids and pale shimmering lips
was the look for the show
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| A thin line of black eyeliner along the upper lash line |
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| An angled bun was one of the hairstyles for the show |
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| Comb back hair from the front and right-side and roll & pin at an angle, do again for the remainder of the hair at the end, this time twisting upward and securing with pins. Next, gather remainder of the hair from left-side and wrap around the twist. |
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| Another bun for the show, a messy but tightly twist bun secured at the nape of the neck. |
The Look Backstage: Giles 2012 Spring Collection
"Super Simple" -Lucia Pieroni
Make-up was kept light and simple, this included a clean complexion with a subtle pink flush-like cheek and soft bordeaux stained lips, brows were brushed up for a more natural but put-together look.
Complexions were illuminated with a mixture made with moisturizer that was used for across the eye-lids and the cheekbones adding a glossy, dewey shine.
Cheeks obtained the pink flush with the use of MAC's lipstick in Russian Red which were lightly smudged onto apples of the cheeks.
A combination of MAC Lip Pencil in Brich and Burgundy were used from the inner corners of the mouth brushed outwards so that the color was mostly concentrated at the center of the lips, diffusing outwards.
Giles 2012 Spring Collection
The Look Backstage: Christian Dior 2012 Spring Collection
"She's got perfect eyes, perfect skin, groomed eyebrows, and beautiful red lips - nothing overdone," -Pat McGrath
Nails were painted soft green (Water Lily #504)
from the Dior Le Vernis lacquer collection.
Hair was volumized by the use of a combination of volumizing sprays and rolls, and were then rolled up softly above the nape of the neck.
Complexions were made-up to be near perfect, while eyes were soft and feminine but still dramatically glamorous in an old-Hollywood style.
Lips were matte crimson pink
Christian Dior 2012 Spring Collection
The Look Backstage: Yves Saint Laurent 2012 Spring Collection
: Ann Bonfoey Taylor-meets-Talitha Getty
Bleached brows, metallic red lips, black kohl rimmed lids
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| Bleaching the eye-brows |
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| Kohl rimmed lids with heavy points at outer corners |
Hair was slicked back with texture
and secured in a low bun accessorized with gold segmented hoops
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| The final look |
The Look Backstage: Derek Lam 2012 Spring Collection
Sun-kissed California girl was the look backstage at Derek Lam this season, hence the bronzed skin and the fully dusted brow bones. Estee Lauder Cyber Eyes Eyeshadow in Cyber Green and Cyber Copper were dusted beneath the brow bone and up through hairs of the brow created a softer look. Eye shadow in a sheer canary yellow, Rainboots, on the lids. And a thin line along the upper lash line in Estee Lauder's Intense Kajal Eyeliner in Blackened Olive.
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| Skin was sculpted and bronzed |
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| Brushed strong brows |
Lips were given high shine with the use of Pure Color Lipgloss in Citron Kiss (sheer yellow)
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| Hair is side parting, combed back and tied low |
Hair took on the sleek ponytail look. Hair was prepped with Phytovolume Actif Spray, blow dried, Phyto 7 Daily Hydrating Botanical Cream were applied to the ends to smooth jagged tips. Hair was then flat ironed and coated with Phyto Shine Defining Wax. The noticeable sheen in the dos came from a spritz of Phyto Professional Workable Holding Spray.
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| Hair tied low towards the nape of the neck |
The Look Backstage: Chanel 2012 Spring Collection
"I knew they were going for an underwater theme in white," Phillips said, which caused him to focus his energies on creating glow and shine." -Celia Ellenberg
Hairs were side parted, combed back, knotted low at the neck with a wet-look by the use of Mousse.
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| Large pearls were glued on to bobby-pins |
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| Swarovski pearls |
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| Pearls were glued on with latex-based glue. |
While the overall skin was kept fresh and matte, eye-lids had a shine.
Top eye-lids were rimmed with black, lashes lengthened and defined with mascara.
Brows were colors in closest to it's natural color with softness and cheeks were dusted with shades of pink. Lips donned a sheer pink hue that was absent of sparkle.
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